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Cewek-cewek ini kelihatan cantik dan anggun bukan? Walaupun mereka pakai jilbab tapi tidak mengurangi kecantikan mereka. Selain untuk menutupi aurat, mereka juga tetap bisa bergaya dengan jilbab mereka.
Begitu membaca judul posting di atas, pasti Anda langsung buru-buru klik. Terutama yang memiliki pikiran kotor. Di benak Anda pasti sudah terbayangkan cewek bejilbab yang berbuat **sum. Memang masyarakat sekarang ini sudah "diracuni" dengan segala hal yang berbau porno. Dan tidak bisa dipungkiri, yang demikian ini laris manis di pasaran layaknya kacang goreng. Mulai gambar, film baik dalam bentuk vcd, dvd, bahkan di bioskop-bioskop pun banyak film yang cuma menjual pornografi.
Apa jadinya negara ini jika hal ini terus dibiarkan. Akan seperti apa generasi penerus kita nantinya. Apakah hal ini akan terus kita biarkan? Sebagai bloger mari dukung pemerintah dalam membersihkan pornografi, terutama di dunia maya. Kita boleh jadi bloger matre, tapi jangan jadi bloger mesum.....
Anda mungkin sudah berbulan-bulan atau bahkan mungkin bertahun-tahun mempunyai blog/web. Tapi apakah Anda sudah yakin blog/web Anda benar-benar "optimal"? Ataukah justru masih "banyak kekurangan". Silakan cek di sini, dan lihat sendiri hasilnya. Apa saja yang perlu dibenahi, semua akan jelas terlihat.
This Meta Tag Analysis tool to help webmasters analyze their web pages. This search engine optimization tool analyze not only the Meta Tags but try to use the same spider technology as the search engines spiders them self.
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Beberapa waktu yang lalu saya sudah coba verifikasi Paypal tanpa credit card, tanpa VCC, dan ternyata berhasil. Sekarang saya akan jelaskan cara menambahkan BNI debit card pada akun Paypal.
Tapi sebelum saya jelaskan lebih lanjut, saya pernah baca di salah satu blog yang menjelaskan verifikasi Paypal dengan mastercard dari Payoneer. Kebetulan saya juga mempunyai mastercard Payoneer tersebut. Setelah saya coba untuk verifikasi ternyata Paypal menolak mastercard tersebut. Padahal akun saya sudah aktif.
| Theatrical Release | |
| 11/24/2010 |
| Director | Credit |
| Nathan Greno | Director |
| Byron Howard | Director |
| Cast | Credit |
| Mandy Moore | Rapunzel |
| Zachary Levi | Flynn Rider |
| M.C. Gainey | |
| Brad Garrett | |
| Ron Perlman | |
| Jeffrey Tambor | |
| Donna Murphy | |
| Paul F. Tompkins | |
| Producers | Credit |
| Roy Conli | Producer |
| Production Companies | Credit |
| Walt Disney Pictures | Walt Disney Pictures |
| Writer | Credit |
| Dan Fogelman | Screenwriter |
| Music | Credit |
| Alan Menken | Composer (Music Score) |
| Glenn Slater | Lyricist |
| Theatrical Release | |
| 11/24/2010 |
| Director | Credit |
| George Tillman, Jr. | Director |
| Cast | Credit |
| Dwayne Johnson | Driver |
| Billy Bob Thornton | |
| Oliver Jackson-Cohen | Killer |
| Carla Gugino | |
| Moon Bloodgood | |
| Maggie Grace | |
| Adewale Akinnuoye-Agbaje | |
| Producers | Credit |
| Martin Shafer | Producer |
| Robert Teitel | Producer |
| Liz Glotzer | Producer |
| Joe Gayton | Producer |
| Joe Gayton | Executive Producer |
| Dara Weintraub | Executive Producer |
| Distribution Companies | Credit |
| Castle Rock Entertainment | Castle Rock Entertainment |
| Writer | Credit |
| Joe Gayton | Screenwriter |
| Tony Gayton | Screenwriter |
| Art Department | Credit |
| David S. Lazan | Production Designer |
| Casting | Credit |
| Sarah Halley Finn | Casting |
| Film Camera | Credit |
| Michael Grady | Cinematographer |
| Music | Credit |
| Clint Mansell | Composer (Music Score) |
| Wardrobe Hair Makeup | Credit |
| Salvador Perez | Costume Designer |
Giving new meaning to the term America's Sweetheart, Sandra Bullock won over scores of filmgoers and critics with her wholesome, exuberant portrayals of ordinary women in extraordinary circumstances. Since her breakthrough role as Speed's unwitting heroine, Bullock has enjoyed the type of popularity that was in the past reserved for actresses along the lines of Mary Pickford or Shirley Temple. Born in Washington, D.C., on July 26, 1964, Bullock was the elder daughter of a vocal coach dad and an opera singer mom. Touring through Europe with her mother, Bullock was given her first taste of show business while still a child. Back in the States, she attended high school in Virginia and was a popular cheerleader, whose classmates dubbed her the person Most Likely to Brighten Your Day. After a stint at East Carolina University, Bullock took her sunny nature to New York, where she began concentrating on an acting career. After tending bar and studying her craft with dramatician Sanford Meisner, she got her start with a number of stage productions. It was for one of these productions, the off-Broadway No Time Flat, that Bullock received a rave review for her portrayal of a Southern belle, the strength of which was enough to land her an agent.
Television work followed, with a small role in the 1989 Bionic Showdown: The Six-Million-Dollar Man and the Bionic Woman and, after her migration to Los Angeles, Melanie Griffith's role in the short-lived television version of Working Girl. Miraculously surviving the widespread career fallout that surrounded her first starring film role in Love Potion No. 9 (1992), the actress went on the following year to star in the similarly ill-fated The Thing Called Love. However, things began to look up the same year when the struggling actress became the last-minute replacement for Lori Petty in the Sylvester Stallone action flick Demolition Man. Though her role was essentially limited to intermittent saliva exchanges with Stallone, her performance won the attention of the film's producer, Joel Silver, who in turn recommended her to Jan de Bont. De Bont, then in the process of casting his upcoming bus-with-a-bomb action film, chose the struggling actress for the part of Annie, the film's reluctant heroine. In casting Bullock against Keanu Reeves, de Bont reportedly came up against considerable resistance from studio executives, who wanted someone blonde and buxom for the part. The director persevered and, in 1994, Bullock took her place in movie history as part of Speed, one of the most successful action films ever made. The film propelled the actress to stardom, surprising no one more than Bullock herself, who later remarked, "never in a million years did I think a bus movie would open every door I ever possibly wanted open." Doors now wide open, Bullock next starred in the 1995 romantic comedy While You Were Sleeping. The film was a critical and commercial hit, and the actress followed it up with a screen adaptation of John Grisham's A Time to Kill, co-starring Ashley Judd and Matthew McConaughey. The success of that film was the last that Bullock would enjoy for a while, as she then entered something of a sophomore slump with disappointments such as In Love and War (1996), Two If By Sea (1996), and, perhaps most excruciating, Speed 2: Cruise Control (1997). Fortunately for Bullock, her audiences seemed to be inclined to forgive and forget, and she had a modest rebound with the following year's Hope Floats, which also happened to be the first project of the production company she founded, Fortis Films. The same year, Bullock also starred in another romantic comedy, Practical Magic, opposite Nicole Kidman. The film provided another modest success for Bullock, who, back in the saddle again, proceeded to do yet another romantic comedy, this time starring with Ben Affleck in Forces of Nature (1999). Although the film proved to be a critical and commercial disappointment, Bullock was back on the radar with a number of projects in 2000, including the critically disembowelled comedy Gun Shy and 28 Days, a comedy that starred the actress as a newspaper columnist forced to enter rehab after her drinking problem assumes uncontrollable proportions. Following her role in Miss Congeniality (2000) as an FBI agent forced to go undercover in the Miss U.S.A. beauty pagent in order to prevent a bombing, Bullock faced off against a more low-key menace in the thriller Murder By Numbers (2002) before returning to lighthearted drama with Divine Secrets of the Ya-Ya Sisterhood (also 2002). Her status as the reigning queen of the chick flick permanantly established, Bullock next teamed with Hugh Grant for the amiable romantic comedy Two Weeks Notice before taking a two year furlough from the big screen - during which time she would assume the duty of executive producer for the George Lopez show in addition to turning in the occasional guest appearance. In 2005, Bullock found herself at the center of Oscar talk when she essayed the role of the racist wife of a prominant district attorney in Paul Haggis' critically acclaimed drama Crash. An unflinching look at racism in the multicultural melting pot of Los Angeles, Crash defied expectations to take home best editing, best screenplay, and best motion picture at the 77th Annual Academy Awards. That same year, a return to her role as bumbling undercover FBI agent Gracie Heart in Miss Congeniality 2 found Bullock returning to familiar lighthearted territory, although the sequel performed far more poorly than the first film. With her role as a lovelorn doctor who discovers a curious rift in time in 2006's romantic fantasy The Lake House (a remake of the 2000 South Korean film Siworae), the actress marked a graceful return to swooning, romantic pictures, not to mention a reteaming with her Speed man Keanu Reeves. Determined to remain firmly planted in serious acting, Bullock singed on to play author Harper Lee in the movie Infamous which, because of its unfortunate timing, was swallowed by comparisons to the film Capote, and went largely unnoticed. Undaunted, Bullock singed on for the supernatural thriller Premonition, about a woman who experiences shifts in the events of the universe and must use the visions to prevent her husband's death. 2009 turned out to be one of the popular actresses most memorable years. In addition to producing and playing the lead in the smash hit romantic comedy The Proposal, Bullock earned the best reviews of her career as a protective mother helping raise a struggling high-school football player in The Blind Side. For her work in that movie, Bullock won the Golden Globe and the Screen Actors Guild award for Best Actress, and also captured her first Oscar nomination in that same category. porn movie | ||
The son of actor Lloyd Bridges, Jeff Bridges made his screen bow as a petulant infant in the arms of his real-life mother, Dorothy, in the 1950 Jane Greer melodrama The Company She Keeps; his troublesome older brother in that film was played by his real older brother Beau. The younger Bridges made a more formal debut before the cameras at age eight, in an episode of his dad's TV series Sea Hunt. After serving in the Coast Guard reserve, the budding actor studied acting at the Herbert Berghof school. While older brother Beau was developing into a character player, Bridges, thanks in equal parts to his ability and ruggedly handsome looks, became a bona fide leading man. He had his first major success with a leading role in Peter Bogdanovich's The Last Picture Show (1971), for which he was nominated for an Academy Award. Two years later, he won yet another Oscar nomination, this time for Best Supporting Actor in Thunderbolt and Lightfoot (1974). Bridges worked steadily throughout the rest of the 1970s, starring in a number of films, including Hearts of the West (1975) and Stay Hungry (1976). The 1980s brought further triumph, despite starting out inauspiciously with a part in the notoriously ill-fated Heaven's Gate (1981). In 1984, Bridges won yet another Oscar nomination for his leading role in Starman and continued to find acclaim for his work, in such movies as The Morning After (1986) and The Fabulous Baker Boys (1989). The latter featured Bridges and brother Beau as struggling musicians, as well as Michelle Pfeiffer in a performance marked by both the actress' own talent and her ability to roll around on a piano wearing a figure-hugging red velvet dress. Bridges began the 1990s with Texasville, the desultory sequel to The Last Picture Show. Things began to improve with acclaimed performances in Fearless (1993) and American Heart (1995) (the latter marked his producing debut), and the actor found commercial, if not critical, success with the bomb thriller Blown Away in 1994. More success followed, with a lead role in the Barbra Streisand vehicle The Mirror Has Two Faces (1996), and as a hapless and perpetually stoned bowling aficionado in the Coen brothers' The Big Lebowski (1998). In 1999, Bridges returned to the thriller genre with Arlington Road, playing the concerned neighbor of urban terrorist Tim Robbins, and then switched gears with Albert Brooks' comedy drama The Muse. In addition to his acting achievements, Bridges has also written some 200 songs, a talent which he memorably incorporated in The Fabulous Baker Boys. Bridges delivered a typically strong performance in 1999's Simpatico, which featured the actor as a horse-breeder embroiled in a complicated scam orchestrated by a once good friend, while The Contender (2000) found him playing a happy-go-lucky U.S. President suddenly forced to decide if his Vice Presidential candidate's rumored sexual escapades will affect his ultimate decision. Though K-PAX (2001) fared badly in theaters, Jeff's performance as Kevin Spacey's character's psychiatrist was solid, as was his role of a soft-spoken kidnapping victim in director Dominique Forma's Scenes of the Crime. 2003 was a polarizing year in terms of critical success -- despite an A-list cast including Bridges himself, Penelope Cruz, and Jessica Lange, Masked and Anonymous went unseen by most, and disliked by the rest. Luckily, Seabiscuit catapulted Bridges back into Hollywood's spotlight, as did Tod Wiliams' Door in the Floor, based on John Irving's novel A Widow for One Year. In 2008, Bridges landed the plum role of the bad guy in the box-office blockbuster Iron Man, but it was his turn as fading country music star Bad Blake in Crazy Heart that earned him the accolades that had eluded the respected actor throughout his career. For his work in that film Bridges captured the SAG award, the Golden Globe, and his fifth Oscar nomination -- marking his second nod in the lead category 25 years after his first for Starman. | ||
