Showing posts with label Actress. Show all posts
Showing posts with label Actress. Show all posts

Natasha Gregson Wagner

Date of Birth: 29 September 1970, Los Angeles, California, USA
Birth Name: Natasha Gregson 
Height: 5' 2" (1.57 m)
Mini Biography
She was surrounded by Hollywood glamor from the onset as the daughter of film star Natalie Wood and British producer/writer/agent Richard Gregson, who was married to Wood from 1969-1972. Natasha Gregson was born on September 29, 1970, in Los Angeles. Her sister was of Russian heritage and christened her Natalia but affectionately nicknamed her Natasha in the coursework of her childhood -- hence, the name. Her parents separated before he was even a year elderly, and Natalie married Robert Wagner months before Natasha turned. It is not very surprising, therefore, that the young girl expressed an early interest in acting. The tragic Catalina Island drowning of her sister on November 29, 1981, when Natasha was only 11, left deep emotional scars that would ultimately carryover in to the dark-edged roles he would play in Hollywood.

The dark-eyed & dark-haired actress definitely bears over a passing resemblance to her sister than her famous mom. Unlike Natalie, Natasha has downplayed the glamor & displays an unusual, ditsy-like appeal. Refusing to conform to Hollywood standards, he's in lieu carved out her own individual path, finding herself much more interested in offbeat & unconventional material. He debuted in a minor part in Buffy the Vampire Slayer (1992) & initially went around playing cute & plucky in such innocuous TV-movie fare as The Shaggy Dog (1994) (TV), the remake of the 1950s Disney classic, & the juvenile delinquent 1950s spoof Dragstrip Girl (1994) (TV). In 1995 Natasha had a top role in of the "Hart to Hart" TV mini-movies that served to reunite her former stepfather along with his former co-star Stefanie Powers.

Natasha started making a major buzz soon thereafter as her characters grew edgier, uninhibited and more risk-taking. In David Lynch's Lost Highway (1997) they turned heads as Balthazar Getty's cheating girlfriend, and played an adulterous spouse in Calm Days in Hollywood (1995). The ball started rolling together with her standout role as the feisty, street-savvy Lou in the improvisation-styled romantic triangle Girls as well as a Man (1997). With Robert Downey Jr. and Heather Graham, the film truly captured Natasha's gift for gab and off-the-wall magnetism. From there they continued to offer solid work in hit-and-miss showcases. They co-starred with Giovanni Ribisi in the sexy, no-holds-barred First Love, Last Rites (1997) as a white-trash couple who assertively reevaluate their relationship between the sheets. Her most prominent film to date was Another Day in Paradise (1998), where they and Vincent Kartheiser played a drug-addicted couple who goes on the run with James Woods and Melanie Griffith. Natasha had explicit sex scenes with Kartheiser in the film, of which was cut from the theatrical release in order to keep away from an NC-17 rating. Although Natasha has taken a couple of U-turns in to the mainstream, notably as a decapitated victim in the slasher horror opus Urban Legend (1998), they have been few and far between.

During the filming of the well-received John Cusack film High Fidelity (2000), Natasha & the film's screenwriter/co-producer D.V. DeVincentis became an item, & the couple married in 2003, but divorced in 2008. Natasha was a cast member of the short-lived TV series "Pasadena" (2001). They continues her affinity for the odd but compelling with the more recent films Glam (1997), The Medicine Show (2001), Wishing Time (2003) & Wonderland (2003), the last a sensationalized account of the true-life mass murder committed by Los Angeles dope dealers in which drug-ravaged porn star John Holmes was involved -- Natasha portrayed of the victims. In more recent years, they has appeared in less independent films & resorted to visitor roles on TV shows like "House M.D." (2004) in 2008. Natasha had a long-term relationship with Josh Evans.

Brad Pitt & Angelina Jolie – 2011 Golden Globe Awards

I know Angelina Jolie and Johnny Depp were shocked by their Golden Globe nominations for The Tourist, but when you see Jolie and her partner, Brad Pitt, on the red carpet… doesn’t it all make sense?
We can’t seem to get enough of this Hollywood couple! We hope every year will be the year they make it “official” and we’re on the edge of our seats wondering whether they’ll adopt or procreate next. Knowing our fascination with the two, the Golden Globes banked on the idea and threw a nomination (or three) to the film that barely made any ground in the box office.
Jolie wore a sparkling emerald green gown by Versace. When deconstructed the cinched waste, hard shoulder pads and droopy back would make anyone think twice, but on Jolie… like everything else, it works. The dress is simple seduction embracing her silhouette, accenting her sultry look and oh, and perfectly complimenting her arm candy, Pitt.

Sandra Bullock : actress

Born:
July 26, 1964 in Washington, DC
Giving new meaning to the term America's Sweetheart, Sandra Bullock won over scores of filmgoers and critics with her wholesome, exuberant portrayals of ordinary women in extraordinary circumstances. Since her breakthrough role as Speed's unwitting heroine, Bullock has enjoyed the type of popularity that was in the past reserved for actresses along the lines of Mary Pickford or Shirley Temple. Born in Washington, D.C., on July 26, 1964, Bullock was the elder daughter of a vocal coach dad and an opera singer mom. Touring through Europe with her mother, Bullock was given her first taste of show business while still a child. Back in the States, she attended high school in Virginia and was a popular cheerleader, whose classmates dubbed her the person Most Likely to Brighten Your Day. After a stint at East Carolina University, Bullock took her sunny nature to New York, where she began concentrating on an acting career. After tending bar and studying her craft with dramatician Sanford Meisner, she got her start with a number of stage productions. It was for one of these productions, the off-Broadway No Time Flat, that Bullock received a rave review for her portrayal of a Southern belle, the strength of which was enough to land her an agent.
Television work followed, with a small role in the 1989 Bionic Showdown: The Six-Million-Dollar Man and the Bionic Woman and, after her migration to Los Angeles, Melanie Griffith's role in the short-lived television version of Working Girl. Miraculously surviving the widespread career fallout that surrounded her first starring film role in Love Potion No. 9 (1992), the actress went on the following year to star in the similarly ill-fated The Thing Called Love. However, things began to look up the same year when the struggling actress became the last-minute replacement for Lori Petty in the Sylvester Stallone action flick Demolition Man. Though her role was essentially limited to intermittent saliva exchanges with Stallone, her performance won the attention of the film's producer, Joel Silver, who in turn recommended her to Jan de Bont. De Bont, then in the process of casting his upcoming bus-with-a-bomb action film, chose the struggling actress for the part of Annie, the film's reluctant heroine. In casting Bullock against Keanu Reeves, de Bont reportedly came up against considerable resistance from studio executives, who wanted someone blonde and buxom for the part. The director persevered and, in 1994, Bullock took her place in movie history as part of Speed, one of the most successful action films ever made.
The film propelled the actress to stardom, surprising no one more than Bullock herself, who later remarked, "never in a million years did I think a bus movie would open every door I ever possibly wanted open."
Doors now wide open, Bullock next starred in the 1995 romantic comedy While You Were Sleeping. The film was a critical and commercial hit, and the actress followed it up with a screen adaptation of John Grisham's A Time to Kill, co-starring Ashley Judd and Matthew McConaughey. The success of that film was the last that Bullock would enjoy for a while, as she then entered something of a sophomore slump with disappointments such as In Love and War (1996), Two If By Sea (1996), and, perhaps most excruciating, Speed 2: Cruise Control (1997). Fortunately for Bullock, her audiences seemed to be inclined to forgive and forget, and she had a modest rebound with the following year's Hope Floats, which also happened to be the first project of the production company she founded, Fortis Films. The same year, Bullock also starred in another romantic comedy, Practical Magic, opposite Nicole Kidman. The film provided another modest success for Bullock, who, back in the saddle again, proceeded to do yet another romantic comedy, this time starring with Ben Affleck in Forces of Nature (1999). Although the film proved to be a critical and commercial disappointment, Bullock was back on the radar with a number of projects in 2000, including the critically disembowelled comedy Gun Shy and 28 Days, a comedy that starred the actress as a newspaper columnist forced to enter rehab after her drinking problem assumes uncontrollable proportions. Following her role in Miss Congeniality (2000) as an FBI agent forced to go undercover in the Miss U.S.A. beauty pagent in order to prevent a bombing, Bullock faced off against a more low-key menace in the thriller Murder By Numbers (2002) before returning to lighthearted drama with Divine Secrets of the Ya-Ya Sisterhood (also 2002). Her status as the reigning queen of the chick flick permanantly established, Bullock next teamed with Hugh Grant for the amiable romantic comedy Two Weeks Notice before taking a two year furlough from the big screen - during which time she would assume the duty of executive producer for the George Lopez show in addition to turning in the occasional guest appearance.
In 2005, Bullock found herself at the center of Oscar talk when she essayed the role of the racist wife of a prominant district attorney in Paul Haggis' critically acclaimed drama Crash. An unflinching look at racism in the multicultural melting pot of Los Angeles, Crash defied expectations to take home best editing, best screenplay, and best motion picture at the 77th Annual Academy Awards. That same year, a return to her role as bumbling undercover FBI agent Gracie Heart in Miss Congeniality 2 found Bullock returning to familiar lighthearted territory, although the sequel performed far more poorly than the first film. With her role as a lovelorn doctor who discovers a curious rift in time in 2006's romantic fantasy The Lake House (a remake of the 2000 South Korean film Siworae), the actress marked a graceful return to swooning, romantic pictures, not to mention a reteaming with her Speed man Keanu Reeves. Determined to remain firmly planted in serious acting, Bullock singed on to play author Harper Lee in the movie Infamous which, because of its unfortunate timing, was swallowed by comparisons to the film Capote, and went largely unnoticed. Undaunted, Bullock singed on for the supernatural thriller Premonition, about a woman who experiences shifts in the events of the universe and must use the visions to prevent her husband's death.
2009 turned out to be one of the popular actresses most memorable years. In addition to producing and playing the lead in the smash hit romantic comedy The Proposal, Bullock earned the best reviews of her career as a protective mother helping raise a struggling high-school football player in The Blind Side. For her work in that movie, Bullock won the Golden Globe and the Screen Actors Guild award for Best Actress, and also captured her first Oscar nomination in that same category. porn movie

Diane Lane : actress

With a smoldering sensuality that perfectly complements her remarkable subtlety as an actress, critics and journalists have frequently singled out Diane Lane for her memorable work in such films as Rumble Fish (1983), A Walk on the Moon (1999) and The Perfect Storm (2000). From her earliest stage appearances to her later status as a powerful star of feature films, Lane's uncanny ability to project her character's innermost emotions into the hearts of filmgoers has earned her a much-deserved rank among the Hollywood elite. Diane Lane was born in New York City in 1965, the daughter of drama coach Burt Lane and Playboy centrespread Colleen Farrington; her eyes seemed to sparkle with stars from the tender age of six. Cast in a La Mama Experimental Theatre production of Medea, Lane would subsequently appear on stage in numerous productions, both in her native New York and abroad. It wasn't long before the late-'70s found Lane reaching the apex of her early career, and in 1978 she made her film debut in director George Roy Hill's A Little Romance. Cast alongside no less than Sir Laurence Olivier, Lane held her own in the role of an American student who finds love while studying abroad, and as a result gained remarkable exposure on the cover of Time Magazine in August of the following year. Lane was touted as one of the most promising actors of her generation, and this success parlayed her into a series of neglected films. In a number of these instances, she could not be faulted for choosing substandard material; her appearance in Lamont Johnson's fresh and rousing female western Cattle Annie and Little Britches (1981), for example (alongside Amanda Plummer, Burt Lancaster and Rod Steiger) drew lavish critical praise even as the studio inexplicably threw the film into the wastecan. Lane fared better with twin roles in a pair of teen dramas from director Francis Ford Coppola in 1983 (The Outsiders and Rumble Fish) once again earned the burgeoning film actress the spotlight and reminded audiences of her immense talent; she became a Coppola favorite, but didn't fare as well with his Cotton Club, a massive critical and commercial flop that did little to boost her career, even as it introduced her to co-star Richard Gere (with whom she would reteam, professionally, years later). After rounding out the decade with yet another memorable turn in the television miniseries Lonesome Dove (1989), Lane's career once again became a more low-key affair, though her performances frequently outshined the otherwise unremarkable series of films she appeared in.
Though roles in such efforts as Chaplin (1992), A Streetcar Named Desire (1995), and Jack (1996) kept her from falling off the radar, Lane didn't truly shine again until her role as a housewife who embarks on a fragile extramarital affair in A Walk on the Moon (1998). Following that film with a pair of memorable performances in My Dog Skip and The Perfect Storm (both in 2000), Lane's career seemed to have achieved some stability, but it wasn't before a pair of forgettable features (Hardball and The Glass House, both in 2001) that Lane scored with yet another tale of marital infidelity. Director Adrian Lyne's Unfaithful, a retooling of Claude Chabrol's La Femme Infidèle, once again found Lane in the throes of an alluring stranger. Unfaithful - the anticipated onscreen reunion of Lane with Richard Gere - pondered the crushing reverberations of extramarital carnality, and Lane provided an ample and intriguing center of gravity for the film.
When February 2003 rolled around and the Academy announced its nominations for the previous year, Lane received her first-ever Oscar nod for her emotional turn in Unfaithful. It did not pay off with a win, but Lane's follow-ups with roles in substantial fare including Just Like Mona (2002) and the wildly-popular Under the Tuscan Sun (2003) suggested that Lane's career had finally found solid box-office ground. Time validated this assertion: 2005's Must Love Dogs, a romantic comedy vehicle co-starring Lane and John Cusack, drew positive responses from many moviegoers and did decent, if not spectacular, box office, despite the excoriation of some critics (Salon's Stephanie Zacharek moaned, "It's ostensibly about adults, but there's nothing remotely adult about it.") 2006's Hollywoodland casts Lane in a mystery about the enigmatic demise of Superman's George Reeves. The same year's Killshot boasts an inspirational pedigree, which includes director John Madden (Shakespeare in Love, Her Majesty Mrs. Brown), Wings of the Dove scenarist Hossein Amini, producers Bob and Harvey Weinstein and Quentin Tarantino, cinematographer Caleb Deschanel and co-starrers Thomas Jane and the gifted Mickey Rourke (who first pooled his talents with Lane in 1983's Rumble Fish). The film, an adaptation of Elmore Leonard's novel, tells the story of a married couple who wind up in the Federal Witness Protection Program - and on a hit man's X list - when their extortion scheme falls apart.
Married to Highlander Christopher Lambert from 1988 to 1994 (with a single daughter from that marriage), Lane wed actor Josh Brolin in late 2004. In addition to her high-profile movie career, she is also an avid photographer; the January 2005 issue of InStyle Magazine prominently published a series of landscapes that Lane shot during one of her road trips into the American west.

Janet Jackson : actress

Of the many siblings of mega-star Michael Jackson, Michael's youngest sister Janet is one of the few with enough genuine talent to succeed without her family ties. Jackson's fame rests largely on her successful, elaborately produced music videos, wherein the talented singer and dancer projects a more accessible, realistic image than her otherworldly brother. She is also a skilled and agreeable actress, as witness her series-TV stints on Good Times (1977-78), Diff'rent Strokes (1981-82) and Fame (1984). In 1993, Janet Jackson made her movie debut as a South Central L.A. beautician in director John Singleton's Poetic Justice (1993); the film was no classic, but Janet dominated every scene she was in, even those shared with notorious rap artist Tupac Shakur.

Michelle Pfeiffer : actress

With a rare beauty that has inspired countless platitudes and an almost-permanent place on People's Fifty Most Beautiful list, Michelle Pfeiffer had to work long and hard before getting respect for her talent, rather than mere adulation for her looks. Born April 29, 1957, in Santa Ana, CA, Pfeiffer got her first taste of fame in her late teens, when she won both the Miss Orange County beauty contest and then the title of Miss Los Angeles. After high school, Pfeiffer went to college for a year, deciding that she wanted to become a court reporter. It was while working in a supermarket that Pfeiffer realized that acting was her true calling and she auditioned for commercials and modeling assignments while she attended acting school. Pfeiffer debuted before the cameras in a one-line role on the TV series Fantasy Island and went on to a string of bit parts on TV. She debuted on the big screen in a small part in Falling in Love Again (1980) and then had small roles in two more films before getting her big break with the role of Stephanie in Grease 2 (1982). This led to her portrayal of Al Pacino's wife in Brian De Palma's 1983 classic Scarface, for which the actress garnered favorable attention and greater opportunities. Her first starring role was in the comedy thriller Into the Night (1984) with Jeff Goldblum and was followed by a turn in Richard Donner's fantasy adventure Ladyhawke (1985). Over the next couple of years, Pfeiffer acted in films of varying quality, but it was with 1987's The Witches of Eastwick that her career turned in a truly positive direction. Starring alongside Cher, Susan Sarandon, and Jack Nicholson, Pfeiffer received much acclaim for her work, acclaim that continued with her turn in Dangerous Liaisons (1988), for which she received a Best Supporting Actress Oscar nomination. The same year, Pfeiffer took on an entirely different role as a Mafia wife in the 1988 hit comedy Married to the Mob. In 1990, she was rewarded with yet another Oscar nomination -- this time for Best Actress -- for her portrayal of a nightclub singer in The Fabulous Baker Boys (1989).
The 1990s proved to be a good decade for Pfeiffer, allowing her to branch out with a variety of roles that kept her from being pigeonholed and provided opportunities for her to showcase her versatility. Highlights from the first half of the decade included the 1991 romantic drama Frankie and Johnny, in which she played a frumpy, bitter waitress opposite Al Pacino; 1993's underrated Love Field, for which she received her second Best Actress nomination; Tim Burton's 1992 adventure Batman Returns, in which she co-starred with Michael Keaton and a lethally sexy cat suit; and the acclaimed 1993 Martin Scorsese adaptation of Edith Wharton's The Age of Innocence. That same year, Pheiffer would finally realize her lifelong goal of motherhood when she adpoted a baby girl named Claudia just a few short months before walking down the aisle for a second time to wed Ally McBeal and Boston Legal creator David E. Kelley (the actress' previous marriage to actor Peter Horton had dissolved in 1988). In 1994, Pfeiffer and Kelly would complete their nuclear family when the ecstatic mother gave birth to young John Henry.
The second half of the decade saw Pfeiffer stick to dramas and romantic comedies, notably the 1996 hit One Fine Day with George Clooney, Jocelyn Moorhouse's 1997 adaptation of Jane Smiley's A Thousand Acres, the star-studded 1999 adaptation of A Midsummer Night's Dream, and the family drama The Deep End of the Ocean. Through it all, Pfeiffer maintained her siren status while increasing her bankability, no small feat in an industry where women over the age of 27 are often labeled as past their prime. Not that Pheiffer would be in any danger of losing her looks in the near future; after perfectly meeting the rigorous standards of California plastic-surgeon Dr. Stephen Marquardt's complex "beauty formula" in 2001, the sultry actress was singled out as having the most beautiful face in all of Hollywood. Of course Pfeiffer's face alone couldn't be held accountable for her wild success, and the millennial turnover found the talented actress apprearing in such high-profile features as Rob Reiner's comedic marriage drama The Story of Us, Robert Zemeckis' supernatural thriller What Lies Beneath, and the Sean Penn drama I Am Sam. A supporting role in the 2002 literary adaptation White Oleander found Pfeiffer supporting an all-star cast of Hollywood up and comers, both male and female, with her 2003 role as the goddess Eris in Sinbad: The Legend of the Seven Seas, marking the actresses' first foray into animated-feature territory. In 2006, Pfeiffer would continue to turn heads when she accepted the role of an older woman who falls for a younger man in director Amy Heckerling's I Could Never Be Your Woman.

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